Monday, September 16, 2019

"I'll Get You Kicked Out of Here" - a don't-mess-with-me, world-weary parody of "I Get a Kick Out of You" PLUS we start our 2019-2020 theater season "tributes"

"I'll Get You Kicked Out of Here" - cell phones in the theater - a now-I've-seen-it-all, don't-mess-with-me, world-weary parody of "I Get a Kick Out of You"  (The parody is done here with two-time MAC Award winner Sheree Sano adapting it to a certain great star)





      (I'm told you have to have "Flash" on your computer to play this, but that most computers do.)



Dec 2019 update - The 2019-2020 season preview in YouTube parody-tributes is now here:  http://music-and-comedy.blogspot.com/2019/11/nov-2019-updating-2019-2020-theater.html


Counting down to Rosh Hashanah and Yom Kippur:


"Put Your Pain In the Hands of a Jew" - music by Skip Kennon, lyric by Fred Landau
https://www.youtube.com/watch?v=xlzpDsd_q-k
sung by Neal Mayer.
Skip and I write this to submit for a show that had been described as "jokes used as Jewish novocaine" - the show dropped that concept, and did very well as a show for having made that change, but recording this was great fun, looking back!

"I Will Survive" parody lyric by Fred Landau - "I'll be Inscribed":
https://www.youtube.com/watch?v=uxTuhLayowQ
sungby  Jan Horvath








Sunday, May 12, 2019

A Mothers Day tribute and also updating last month's Sheree Sano tribute



Theater title lookback for Mother's Day:
The devoted son who thought "The Mother With the Hat" was a perfect show to see with his Mom 
https://www.youtube.com/watch?v=1_gG1vJGOFk


And


In honor of Sheree Sano having just won her  second MAC Award, I reminisced  about some of the parody and tribute recordings she's done with me.

What a One-Percent World
Tune of:  What a Wonderful World

Chatting Is a Show’s Best Friend
Tune of:  Diamonds Are a Girls Best Friend

PCs, Apps and Tweets
Tune of:  Gypsies, Tramps and Thieves

Sur-charge
Tune of: Sir Duke

Go Tell Emma (Emma Stone tribute)
Tune of:  Don’t Tell Mama

Try Eating at Subway, Darling
Tune of:  Don’t Sleep in the Subway 
On the political end - we reprise our FALL 2010 “Chrysanthemum Tea Party Overtures,” with a vocal and music production  created by Sheree  reflecting the Tea Party politics of that mid-term election year– 

At 2:32 here - I get to duet with Sheree on non-parody song “Finale to Family Music”  (co-written by Marian Weiner &Fred Landau)



A parody-tribute to the March 2019 Lincoln Center 
"Camelot" benefit tickets, and to Lin-Manuel Miranda as King Arthur

https://youtu.be/OW3PzOmaJxc

Monday, June 18, 2018

The poster and program for "The Last Starfighter" at SecondStory Repertory

The poster for our musical "The Last Starfighter"

I just flew back from Seattle after the last rehearsal and then the first performance the other night!







photo with program just above (thanks, Allan at the showsiveseen-dot-com site)


More info on the theater is at http://secondstoryrep.org/mainstage/season19/starfighter.html


Friday, May 5, 2017


I see a lot of people got these typed notes before the internet, which I've assumed were typed by his assistant, but there's been speculation that he typed them himself.  I liked that he would give a reason not coming to a show.  Also I liked the line "flying to California for my sins." :)















The review by Jesse Green today in the Times of the well-received off-Broadway PACIFIC OVERTURES discussed why this new production cut the song "Chrysanthemum Tea," and that Mr. Sondheim considered it in many ways a "Jewish mother" song.

Looking back at fall 2010, when I did, with my neighbor Sheree Sano,  a political-minded 

"Chrysanthemum Tea Party Overtures"

Please pass the link around if you like this parody moment from the past, which was YouTube'd in fall 2010 with an OK from Mr. Sondheim and his publisher.  




Sunday, June 5, 2016

Lyric to honor the New York Times ArtsBeat column


Since I'd been writing lyrics in the NY Times reader-comment section for a while, the Times asked me to write a "parody lyric" on the subject of the ArtsBeat column coming to an end after all these years.  
It's at this link, towards the end of the article; you just have to scroll down a bit:

http://artsbeat.blogs.nytimes.com/2016/06/01/service-advisory-artsbeat-is-finished/



Noah Remnick interviewed me briefly for the NY Times' New York Today article  Feb. 3 2016
 (at the end of the column "And Finally" section)
https://www.nytimes.com/2016/02/03/nyregion/new-york-today-landmarklimbo.html


And many thanks to Lin Manuel Miranda for his very generous shout-out on twitter, which was linked in the above Times items
https://twitter.com/lin_manuel/status/669222699361771520

Friday, April 29, 2016

Sunday, December 13, 2015

VIVA MAX! DRAFT OF MUSICAL -

FOR UPDATED SCRIPT
FJL1960@aol.com or 786-208-1698



Links to YouTube 
For the original Jan 2018 presentation version's  

"colorful characters highlights promo sampler" - https://youtu.be/F8t4Q9memhI and some more demos are at https://youtu.be/QqnEz0SBblk and at https://youtu.be/8Cp64RFa6t4


The songwriter, Skip Kennon, is at 212-967-6119.  skipkennon@mac.com
Pat McLaughlin, Beacon Artists Agency is at 212-736-6630. beaconagency@hotmail.com 
Fred Landau is at 212-244-0494. FJL1960@aol.com

Based on the novel “Viva Max!” by Jim Lehrer
A new adaptation by Alicia Mendez & Fred Landau, with songs by Skip Kennon   
(There's also the 90-minute TRU Actors Temple from Jan. 2018, jointly written with Julie Miller, MAC VP.)

CHARACTERS [this list is not in specific order of importance here]

MAX  (Mexican General Maximilian Rodriguez de Santos), mid-30’s

CARMELA CONTRERAS, 30 or so, Max’s fiancee, she and Max fell in love in her home town, Saltillo 

LIEUTENANT  SALAZAR, 25-35, younger than Max, confident swagger and career potential, attentive to duty to obey Max, but tries to influence Max to be pragmatic when Max is idealistic

SARA VELASQUEZ, 25 to 30, Alamo tour guide & gift shop clerk, perpetual grad student, character is American-born Latina

GENERAL LORENZO CONTRERAS, 50 or more, still vital and not ready to retire; celebrated Mexican General, started to feel strong obligation to protect his daughter Carmela’s future when his wife (Carmela’s mother) died three years earlier.  

LULU (Louella Longstreet Daniel),  Sara’s boss at The Alamo, very devoted to the place where she works.  Dressed very sensibly when we meet her while at work, but becomes more glamorous once she knows the reporters' cameras are there. 

PRIVATE  UNGARO, 30’s, Mexican soldier, happy to be Max’s assistant and at times valet.  (background:  Ungaro is generally know by the other characters to be gay, but that never comes up publicly.  In the show, he conforms to some stereotypes that he's happily embraced at first, so that we can challenge those stereotypes later in the show.) 

{POLICE CHIEF GEORGE SYLVESTER, any age, bigoted trigger-happy Texas police chief
{PRESIDENT LBJ (only act 2, strong singer-comedian; written to be able to double with Sylvester)

FEATURED ROLE THAT CAN ALSO BE IN THE ENSEMBLE:  [not in first act at all]
LADY BIRD JOHNSON (mainly featured top of of act two, a strong singer-comedienne part)

OTHER ENSEMBLE:
Trio of Mexican Soldiers (one of them can be Private Ungaro), John Wayne, Farmers, Future Farmers, Mexican soldiers, Texas Police, Head of Future Farmers, Texas Rangers, Highway Patrolman, Luci Johnson, Lynda Bird Johnson, Governor, Sheriff, Waiter, Farmer’s Wife, Reporters 



Based on the novel “Viva Max!” by Jim Lehrer
A new adaptation by Alicia Mendez & Fred Landau, with songs by Skip Kennon   
(There's also the 90-minute TRU Actors Temple from Jan. 2018, jointly written with Julie Miller, MAC VP.)